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| [[Category:In the Space]]
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| ==Visuals for
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| Programmers in Two Parts==
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|
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| '''I Manual Intro to Fine Art and Design'''
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| '''II Intro to Digital Design and Production'''
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|
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|
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| '''About the course:'''
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|
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|
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| An Introduction to Visuals For Programmers in Two Parts
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|
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| seeks to provide a comprehensive understanding
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| of theory, practice, skills and fluency in the
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| visual communications realm for the
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| purpose of connecting visionaries across
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| disciplines so that new methods of problem
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| types and approaches may inform scientific
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| discovery and innovation in the arts.
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|
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| Each Part consists of six lessons
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| Each lesson is four hours in duration.
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| There are weekly assignments,
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| leading to a final gallery exhibit.
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|
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| Why you should participate:
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| If you come to every class and complete
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| every assignment you will have a portfolio
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| worthy of undergraduate or graduate fine
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| art or design school admissions and an
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| intimidating foundation in visual
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| communication.
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|
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| You are receiving 450K worth of fine art and
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| design education investment distilled into a
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| comprehensive 12 week course.
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|
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| You will become fluent in the language used
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| by artists and designers in every day
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| communications and you will understand
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| project approaches from their perspective –
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| you will be able to interface and lead a
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| group project that integrates both the fine
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| arts and the hard sciences.
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|
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| Why I want to teach:
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| I look forward to seeing your response to the concepts and projects
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| presented. I would like to learn from all of you through studying
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| your individual processes. I am always looking to network and
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| anticipate some really cool ideas and collaborations stemming
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| from this course.
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| About the Instructor [http://www.emilydunne.com Emily Dunne Architecture and Design Portfolio]
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|
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| Administrative
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| Intro to Fine Art and Design
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| Introduction, Backgrounds, Experiences
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| Syllabus, Information Sharing
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| Start Manual Foundation
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|
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| '''SUNDAY NOV 6st 4:00pm – 8:00pm'''
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| Class 1: Sketching and the Still Life
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| PPT 1
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| Myth Semester Assignment
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| Sketching Warm‐up
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| Still Life Sketching
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| Still Life Pin‐Up Review
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| Assignment 1: Object Sketches, 20
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| On 8.5 X 11 paper, pen, pencil
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|
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| '''SUNDAY NOV 13th 2:00pm – 6:00pm'''
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| Class 2: Museum Trip and Research
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| Meet at National Gallery of Art
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| Hand in Assignment 1 for Internal Review
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| Sketch 20 paintings/sculptures in NGA
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| Assignment 2: Artist Research
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| (Prepare 3 paragraphs on artist, type of work
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| and contribution to society
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| Answer the so what question, fill in info for 1
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| Slide from template and email to Emily)
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| Receive written feedback for Assignment 1
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|
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| '''SUNDAY NOV 20th 4:00pm ‐8:00pm'''
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| Class 3: Figure Drawing and Self Expression
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| Present Assignment 2 Artist Research PPT
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| Anatomy Study PPT
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| Sketching Warm‐Up
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| Figure Drawing
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| Figure Drawing Pin‐up Review
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| Assignment 3 : Self Portrait
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| On 8.5 X 11 paper, pen, pencil
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|
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| '''SUNDAY DEC 4th 4:00pm – 8:00 pm'''
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| Class 4: Sketch Model, Material Manipulation
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| Hand in Assignment 3 for Internal Review
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| Modeling PPT
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| In class clay‐knife, paper‐glue modeling
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| Assignment 4: Model a Musical Instrument
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| First clay then paper, smaller than 8.5 X 11
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| Receive written feedback for Assignment 3
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|
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| '''SATURDAY DEC 10th 4:00pm – 8:00pm'''
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| Class 5: Fundamentals of 2D
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| Musical Instrument Podium Review
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| Aspects of 2D PPT
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| Outlines
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| Gray Scales
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| 2” X 2” Square Folding In‐Class Assignment
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| Assignment 5: Positive Negative Study
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| Create 6 studies from instrument model
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| On 8.5 X 11 paper, black and white, outlines
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|
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| '''SUNDAY DEC 11th 4:00pm – 8:00pm'''
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| Class 6: Color, Space and Style
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| Hand in Assignment 5 for Internal Review
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| Color Fundamentals PPT
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| In‐class color studies:
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| Hue: Intensity, Value, Saturation
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| Transparency, Vibrations
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| Homework: Tessellation with Two Hues
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| Based on Instrument Figure Ground And
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| Description of Color Relationships
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| Receive Written Instructor Review Sheet
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| Use two weeks to redo, enhance or make up
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| any work for final exhibit and scan and
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| photograph all work for instructor.
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|
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| '''FRIDAY DEC 30th'''
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| Gallery Exhibit and Reception
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| Displaying:
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| Still Life
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| Figure Sketch
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| Self Portrait
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| Instrument Model
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| Instrument BW Study
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| Instrument Tessellation
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| Class Dinner and Manual Foundation Discussion
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| Hand in Written Instructor Review Sheet
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| Receive Final Instructor Evaluation
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| Myth Assignment Explanation
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| End Manual Foundation
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| '''Hard Dates TBD in January'''
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|
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| Administrative
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| Intro to Digital Design and Production
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| Introduction, Backgrounds, Experiences
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| Syllabus, Information Sharing
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| Start Digital Foundation
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| Class 1: Intro to Interior Architecture
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| PPT 1 – Understanding Intervention & Parti
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| Team Project Semester Assignment Intro
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| Intro to Autodesk Revit Architecture
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| Intro to Drawing for Design/Arch
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| Team Space Measurement
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| Team Revit Model
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| Revit Model Review
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| Assignment 1: Complete Group Model
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| In Revit Architecture
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| Class 2: Project Research and Context
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| Review Assignment 1 Group Model
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| Intro to Photoshop, Illustrator, InDesign
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| Ideating Important Adjacencies
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| Walking Tour of Site Neighborhood
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| Sketching and Marking Features
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| Diagramming: Mapping of Urban Context
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| Assignment 2: Urban Mapping
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| (Prepare 6 maps with diagrams for analysis)
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| Receive written feedback for Assignment 1
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| Class 3: Project Concept
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| Present Assignment 2 Urban Mapping
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| Building Parti Concepts PPT and Discussion
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| Using Information Layers to Inform Design
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| Visual Analysis and Concept Sketches
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| Concept Sketch Pin‐up Review
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| Assignment 3 : Draw your Parti
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| On 8.5 X 11 paper, pen, pencil
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|
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| Class 4: Project Intervention
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| Hand in Assignment 3 for Internal Review
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| Translating Parti to Forms in Space PPT
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| In class spatial intervention Revit modeling
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| Assignment 4: Complete Space Intervention
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| Finish model In Revit Architecture
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| Receive written feedback for Assignment 3
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| Class 5: Post‐Production
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| Final Model Review
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| Intro to Autodesk Impression
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| Cutting plans, sections, elevations, perspectives
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| Exporting to impression, Photoshop, etc.
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| Graphic Standards
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| Assignment 5: Complete graphics for plan, 2
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| sections, 4 interior elevations, 1 perspective
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| 8.5 X 11 image size for 24” X 36” Board
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| Class 6: Physical and Digital Presentation
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| Hand in Assignment 5 for Internal Review
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| Presentation Fundamentals PPT
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| Board and Website Concepts in Photoshop
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| Final Physical Boards in Indesign
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| Group Website Index Design Completion
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| Individual Page Design Template Completion
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| Homework: Complete One 24” X 36” Board for
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| Print and Individual Site Page for Group Site
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| Compile Group Website as Team
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| Instructor Will Print Boards
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| Receive Written Instructor Review Sheet
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|
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| Use two weeks to redo, enhance or make up
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| any work for final exhibit and scan and
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| photograph all work for instructor.
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|
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| Gallery Exhibit and Reception
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| Displaying:
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| Individual Boards
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| Group Website
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| Class Dinner and Digital Foundation Discussion
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| Hand in Written Instructor Review Sheet
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| Receive Final Instructor Evaluation
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| End Digital Foundation
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|
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|
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| '''My thoughts on materials and supplies:'''
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|
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| Teachers have a way of making you buy
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| a ton of supplies that you never use or need. Art
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| supplies are so expensive. My intent is to
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| provide you with a minimal supply list so that
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| we aren’t breaking the bank. I would advise you
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| to look around for these items and be creative
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| before you go purchasing them.
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| I don’t care what type of paper, pens,
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| pencils or markers you bring to the table. If you
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| would like advice based on what I personally
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| use then I will be happy to point you in a
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| specific supply direction. Shoot me an email.
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| I am recommending 8.5 X 11 because it
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| is a decent size sheet of paper for lugging
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| around and very easy to scan – and you will be
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| scanning everything. I personally never carry a
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| sketchbook – I find them constraining and
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| annoying, and the perforations on the edge of
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| the paper defy conceptual layout.
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| I advise you always work from one
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| rectilinear sheet of paper. I keep all of my work
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| on loose sheets of paper in the folder portion of
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| a 3 ring binder. I keep instructor handouts in
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| the binder portion. I draw on the paper with
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| the support of the binder and organize my
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| drawings in a portfolio (a manila folder) later.
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| The most important supplies you bring
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| with you to this course are an open mind and
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| patience.
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|
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|
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| '''Materials you supply:'''
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| Sharpies (thin, medium, thick)
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| Pens (3 varying line weights)
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| Pencils (4 h 4 b, I hb)
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| Markers (bic mark‐it 36, AWESOME
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| performance for value)
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| Charcoal (4 sticks)
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| White pastels (2 sticks)
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| Kneaded Eraser (1)
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| White pen eraser (1)
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| 8.5 X 11 paper any kind, lots of it,
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| computer paper works.
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| 12” Trace roll or 8.5 X 11 sheets
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| Ruler 12”
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| Pen knife
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| Extra Blades
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| Elmer’s glue
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| 1 block of clay
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| Materials I will supply:
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| Acrylic paint and canvas
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| Colorform paper
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| Relevant software access
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| Large scale 24” X 36” printing
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| Tape measure
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| [[Category:Classes]]
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